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	<title>Iulian Suman &#8211; Medienobservationen</title>
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		<title>Scruffy Masculinities. Gay bear representations in the runways of Walter Van Beirendonck’s Spring/Summer 2010 Wonder collection</title>
		<link>https://www.medienobservationen.de/2022/0916suman/</link>
					<comments>https://www.medienobservationen.de/2022/0916suman/#respond</comments>
		
		<dc:creator><![CDATA[Rabea Conrad]]></dc:creator>
		<pubDate>Fri, 16 Sep 2022 14:49:43 +0000</pubDate>
				<category><![CDATA[Macht. Mode. Männer.]]></category>
		<category><![CDATA[Sonderausgaben]]></category>
		<category><![CDATA[Geschlechternormen]]></category>
		<category><![CDATA[Maskulinität]]></category>
		<category><![CDATA[Mode]]></category>
		<category><![CDATA[Modedesign]]></category>
		<guid isPermaLink="false">https://www.medienobservationen.de/?p=2683</guid>

					<description><![CDATA[Despite the vast research regarding non-conformative bodies, there is little material on the gay bear representation in fashion modelling. This article investigates the bear embodiment in the runway shows of Walter Van Beirendonck Spring/Summer 2010 Wonder. Critical visual analysis follows the gay bear symbolism in the video recordings ofthe runways, revealing how it challenges the [&#8230;]]]></description>
		
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